Sister Act was the first large-scale production I worked on. I programmed Adam Wiffen's lighting design on a Zero 88 Leapfrog 96, building nearly 80 cues for a musical defined by rapid transitions, with each scene needing its own distinct look.

The centrepiece was a stained glass window hung above the pit band at the back of the stage. Small fresnels behind it let the glass glow, transforming the stage into a traditional church one moment before cutting to a fast-paced nightclub the next.